N\u00eb nj\u00eb sht\u00ebpi luksoze, muri i bardh\u00eb nuk \u00ebsht\u00eb boshll\u00ebk. \u00cbsht\u00eb sken\u00eb.<\/p>\n\n\n\n
N\u00eb disa prej rezidencave m\u00eb t\u00eb mira private t\u00eb bot\u00ebs, procesi nuk fillon me zgjedhjen e marmorit apo me planin e dhomave. Fillon me nj\u00eb vep\u00ebr t\u00eb vetme arti. P\u00ebrpara se t\u00eb vendoset \u00e7do pllak\u00eb, p\u00ebrpara se t\u00eb komandohet \u00e7do mobilje, nj\u00eb vep\u00ebr e vetme \u2013 nj\u00eb piktur\u00eb monumentale, nj\u00eb skulptur\u00eb, nj\u00eb instalacion \u2013 vendos drejtimin e gjith\u00e7ka tjet\u00ebr. \u00c7do vendim q\u00eb vjen pas, nga ndri\u00e7imi te materialet, nga cikli i qarkullimit te tekstilet, formohet rreth saj, shkruan Top Realty Magazine.<\/p>\n\n\n\n
Ky qasje, e quajtur nd\u00ebrkomb\u00ebtarisht anchor-piece design<\/strong> (dizajn me vep\u00ebr-ank\u00ebr), po b\u00ebhet gjithnj\u00eb e m\u00eb e dukshme mes koleksionist\u00ebve serioz\u00eb dhe arkitekt\u00ebve q\u00eb punojn\u00eb me ta. Nuk \u00ebsht\u00eb trend. \u00cbsht\u00eb filozofi.<\/p>\n\n\n\n Koncepti i murit t\u00eb bardh\u00eb si sfond i vet\u00ebm p\u00ebr nj\u00eb vep\u00ebr t\u00eb vetme ka rr\u00ebnj\u00eb t\u00eb thella. Sht\u00ebpia e \u00e7iftit de Menil<\/strong> n\u00eb Houson, e projektuar nga Philip Johnson n\u00eb vitin 1950, vendosi parametrat: mure t\u00eb bardha t\u00eb shqet\u00ebsuara, drit\u00eb natyrale e kontrolluar me precizion, dhe hap\u00ebsira q\u00eb de Menil e quajt\u00ebn “dhome ndenjes p\u00ebr art”. Kjo sht\u00ebpi 510 m\u00b2 u b\u00eb modeli rezidencial q\u00eb ende ndikon koleksionist\u00ebt sot.<\/p>\n\n\n\n N\u00eb arkitektur\u00ebn e sotme luksoze, muri i bardh\u00eb ka evoluar n\u00eb di\u00e7ka m\u00eb t\u00eb q\u00ebllimshme. Nuk \u00ebsht\u00eb thjesht sfond \u2013 \u00ebsht\u00eb muri-ank\u00ebr<\/strong>: nj\u00eb shtrirje e paprekur prej 5\u20136 metrash, e rezervuar p\u00ebr nj\u00eb vep\u00ebr t\u00eb vetme monumentale. Korridoret b\u00ebhen kalime galerie \u2013 t\u00eb gjera mjaftuesh\u00ebm p\u00ebr kontemplim, t\u00eb ndri\u00e7uara nga lart, me ni\u00e7e ul\u00ebse. Hap\u00ebsinat e dyfishta jan\u00eb projektuar jo p\u00ebr lart\u00ebsin\u00eb e tavanit, por p\u00ebr shkall\u00ebn e vepr\u00ebs q\u00eb duhet t\u00eb “b\u00ebr\u00eb” n\u00eb hap\u00ebsir\u00eb.<\/p>\n\n\n\n Nj\u00eb nga shembullat m\u00eb t\u00eb qarta t\u00eb k\u00ebtij koncepti \u00ebsht\u00eb historia e nj\u00eb pronari sht\u00ebpie n\u00eb Los Angeles, e publikuar nga ELLE D\u00e9cor: piktura e preferuar e tij \u2013 Night Watch<\/em> nga artisti britanik Chris Ofili \u2013 nuk potoi n\u00eb sht\u00ebpin\u00eb ekzistuese. Vendimi? Nd\u00ebrtim i nj\u00eb sht\u00ebpie t\u00eb re, 465 m\u00b2, me nj\u00eb “vend pjeshke” (plum spot) t\u00eb dedikuar sakt\u00ebsisht p\u00ebr at\u00eb vep\u00ebr t\u00eb vetme. Sht\u00ebpia u nd\u00ebrtua jo rreth pamjes, jo rreth orientimit, por rreth murit ku do t\u00eb vizatohet Night Watch<\/em>.<\/p>\n\n\n\n N\u00eb nj\u00eb sht\u00ebpi tjet\u00ebr, vler\u00ebsuar 33 milion\u00eb dollar\u00eb<\/strong> n\u00eb Silicon Valley, pronarja e ka p\u00ebrshkruar vizionin e saj k\u00ebshtu: “Dua nj\u00eb sht\u00ebpi q\u00eb duket si skulptur\u00eb q\u00eb dik\u00eb thjesht jeton brenda \u2013 nj\u00eb sht\u00ebpi q\u00eb n\u00eb vetvete \u00ebsht\u00eb vep\u00ebr arti.”<\/em><\/p>\n\n\n\n Dizajner\u00ebt e brendsh\u00ebm q\u00eb punojn\u00eb me k\u00ebt\u00eb qasje ndjekin parime t\u00eb qarta:<\/p>\n\n\n\n Shkalla p\u00ebrcakton shkall\u00ebn.<\/strong> Nj\u00eb vep\u00ebr monumentale k\u00ebrkon hap\u00ebsir\u00eb t\u00eb gjer\u00eb dhe rrethime t\u00eb kufizuara. Vendosja e nj\u00eb kanvasi t\u00eb madh n\u00eb nj\u00eb dhom\u00eb t\u00eb mbushur me elemente konkurruese zvog\u00eblon si vepren ashtu edhe dhom\u00ebn. Nj\u00eb vep\u00ebr m\u00eb e vog\u00ebl, m\u00eb intime, k\u00ebrkon nj\u00eb k\u00ebnd leximi, jo nj\u00eb dhom\u00eb ndenjes monumentale.<\/p>\n\n\n\n Ekstraktimi i ngjyrave k\u00ebrkon delikates\u00eb.<\/strong> Gabimi m\u00eb i zakonsh\u00ebm \u00ebsht\u00eb t\u00eb marr\u00ebsh ngjyr\u00ebn m\u00eb dominante nga vepra dhe ta p\u00ebrs\u00ebrit\u00ebsh lirsh\u00ebm n\u00eb t\u00eb gjith\u00eb hap\u00ebsir\u00ebn. Dizajner\u00ebt e kualifikuar k\u00ebrkojn\u00eb tonet sekondare ose terciare \u2013 ngjyrat q\u00eb i japin vepr\u00ebs thell\u00ebsi \u2013 dhe i lejojn\u00eb ato t\u00eb informojn\u00eb ngjyr\u00ebn e mureve, tekstilet dhe objektet dekorative. Rezultati: rezonanc\u00eb pa redundanc\u00eb.<\/p>\n\n\n\n Ndri\u00e7imi nuk \u00ebsht\u00eb opsional.<\/strong> Nj\u00eb vep\u00ebr-ank\u00ebr meriton ndri\u00e7im t\u00eb menduar. Qoft\u00eb p\u00ebrmes menaxhimit t\u00eb drit\u00ebs natyrale, ndri\u00e7imit me trek\u00ebnd\u00ebsh, apo dritareve t\u00eb piktur\u00ebs t\u00eb montuara direkt n\u00eb korniz\u00eb \u2013 m\u00ebnyra se si ndri\u00e7ohet nj\u00eb vep\u00ebr formon si lexohet ajo n\u00eb \u00e7do or\u00eb t\u00eb dit\u00ebs. Shum\u00eb koleksionist\u00eb investojn\u00eb shum\u00eb n\u00eb vepren dhe pastaj e komprometojn\u00eb me ndri\u00e7im t\u00eb pamjaftuesh\u00ebm.<\/p>\n\n\n\n Mobiljet si korniz\u00eb.<\/strong> \u00c7do pjes\u00eb mobiljeje n\u00eb dhom\u00eb duhet t\u00eb funksionoj\u00eb, n\u00eb nj\u00eb far\u00eb kuptimi, si pjes\u00eb e korniz\u00ebs rreth vepr\u00ebs qendrore. Kjo nuk do t\u00eb thot\u00eb uniformitet \u2013 llojshm\u00ebria e form\u00ebs dhe materialit mund t\u00eb krijoj\u00eb interes vizual \u2013 por do t\u00eb thot\u00eb se \u00e7do element zgjidhet me prezenc\u00ebn e vepr\u00ebs n\u00eb mendje.<\/p>\n\n\n\n Dizajnerja e brendshme Margaux Ellery, e bazuar n\u00eb San Francisco, e ka p\u00ebrshkruar procesin e saj me koleksionist\u00eb: “Kur nj\u00eb klient vjen te un\u00eb dhe thot\u00eb ‘Kam k\u00ebt\u00eb vep\u00ebr q\u00eb nuk mund t\u00eb ndaloj t\u00eb mendoj p\u00ebr t\u00eb’, at\u00ebher\u00eb fillon puna e v\u00ebrtet\u00eb. P\u00ebrgjigja emocionale \u00ebsht\u00eb t\u00eb dh\u00ebna. Na tregon di\u00e7ka thelb\u00ebsore p\u00ebr m\u00ebnyr\u00ebn se si ajo person d\u00ebshiron t\u00eb ndihet n\u00eb sht\u00ebpin\u00eb e tij \u2013 dhe ky \u00ebsht\u00eb nj\u00eb pik\u00eb nisjeje shum\u00eb m\u00eb e sinqert\u00eb se nj\u00eb \u00e7ip ngjyre.”<\/em><\/p>\n\n\n\n Ajo kryen \u00e7far\u00eb e quan “intervist\u00eb vizuale”<\/strong> me vepren: studion ngjyrat dominante dhe recesive, humorin, shkall\u00ebn, cil\u00ebsin\u00eb e drit\u00ebs q\u00eb vepra duket se e gjeneron ose thith. Vet\u00ebm pas k\u00ebsaj analize fillon specifikimin e mobiljeve dhe p\u00ebrfundimeve.<\/p>\n\n\n\n N\u00eb nivelin m\u00eb t\u00eb lart\u00eb, koncepti “one piece, one home” shkon p\u00ebrtej murit. Nj\u00eb skulptur\u00eb mund t\u00eb p\u00ebrcakt\u00eb planin e kopshtit. Nj\u00eb instalacion mund t\u00eb inspiroj\u00eb arkitektur\u00ebn e nj\u00eb hap\u00ebsire t\u00eb t\u00ebr\u00eb. N\u00eb sht\u00ebpin\u00eb e Ai Weiwei n\u00eb Ancram, New York \u2013 projektuar me HHF Architects \u2013 rezidenca \u00ebsht\u00eb vet\u00eb nj\u00eb vep\u00ebr abstrakte: kat\u00ebr forma gjeometrike drejtk\u00ebndore t\u00eb mbuluara me hekur val\u00ebz, ku mbivendosja e kufijve horizontal\u00eb krijon dimension dhe lejon shirita vertikale drite natyrale. Sht\u00ebpia nuk p\u00ebrmban art \u2013 ajo \u00ebsht\u00eb<\/em> art.<\/p>\n\n\n\n N\u00eb nj\u00eb vil\u00eb n\u00eb Dubai, themeluesi i KOA, Mohammed Bin Zaal, e ka formuluar parimin k\u00ebshtu: “Arti nuk zbatet m\u00eb pas faktit; ai \u00ebsht\u00eb i ndezur n\u00eb themel\u00ebt e sht\u00ebpis\u00eb q\u00eb nga fazat m\u00eb t\u00eb hershme t\u00eb dizajnit.”<\/em><\/p>\n\n\n\n Integrimi i artit si baz\u00eb arkitekturore ka nj\u00eb ndikim konkret n\u00eb vler\u00ebn e pasuris\u00eb. Sht\u00ebpit\u00eb me art t\u00eb kuruar me kujdes ndihen ve\u00e7ore n\u00eb nj\u00eb m\u00ebnyr\u00eb q\u00eb asnj\u00eb flet\u00eb specifikimesh nuk mund ta transmetoj\u00eb. Bin Zaal argumenton se arti sjell ireproduktueshm\u00ebri<\/strong> n\u00eb nj\u00eb projekt: \u00e7do vep\u00ebr zgjidhet n\u00eb dialog me arkitektur\u00ebn, duke b\u00ebr\u00eb ansamblin final unik. Nuk ka dy sht\u00ebpi t\u00eb nj\u00ebjta, sepse nuk ka dy vepra t\u00eb nj\u00ebjta.<\/p>\n\n\n\n N\u00eb tregun luksoz, kjo do t\u00eb thot\u00eb se nj\u00eb sht\u00ebpi e dizajnuar rreth nj\u00eb vepre t\u00eb vetme monumentale nuk \u00ebsht\u00eb thjesht m\u00eb e bukur \u2013 \u00ebsht\u00eb e pakopjueshme<\/strong>. Dhe n\u00eb nj\u00eb treg ku \u00e7do met\u00ebr katror mund t\u00eb krahasohet me nj\u00eb tjet\u00ebr, pakopjueshm\u00ebria \u00ebsht\u00eb lloji m\u00eb i rrall\u00eb i luksit.<\/p>\n\n\n\n N\u00eb fund, muri i bardh\u00eb rreth nj\u00eb vepre t\u00eb vetme nuk \u00ebsht\u00eb munges\u00eb. \u00cbsht\u00eb prezenc\u00eb e qet\u00eb<\/strong> \u2013 nj\u00eb vendosje konceptuale q\u00eb thot\u00eb: kjo vep\u00ebr \u00ebsht\u00eb e vetma q\u00eb ka nevoj\u00eb t\u00eb ket\u00eb<\/em>. T\u00eb gjitha t\u00eb tjerat \u2013 marmori, druri, drita, ajri \u2013 jan\u00eb korniz\u00eb.<\/p>\n\n\n\n Dhe n\u00eb nj\u00eb bot\u00eb ku sht\u00ebpit\u00eb luksoze mbushen me art si galeri private, muri i bardh\u00eb me nj\u00eb vep\u00ebr t\u00eb vetme \u00ebsht\u00eb deklarat\u00eb m\u00eb e fort\u00eb: jo “kam shum\u00eb art”, por “k\u00ebt\u00eb vep\u00ebr, e kam b\u00ebr\u00eb qend\u00ebr t\u00eb jet\u00ebs sime”.<\/p>\n","protected":false},"excerpt":{"rendered":" Koncepti “One Piece, One Home” N\u00eb nj\u00eb sht\u00ebpi luksoze, muri i bardh\u00eb nuk \u00ebsht\u00eb boshll\u00ebk. \u00cbsht\u00eb sken\u00eb. N\u00eb disa prej rezidencave m\u00eb t\u00eb mira private t\u00eb bot\u00ebs, procesi nuk fillon me zgjedhjen e marmorit apo me planin e dhomave. Fillon me nj\u00eb vep\u00ebr t\u00eb vetme arti. P\u00ebrpara se t\u00eb vendoset \u00e7do pllak\u00eb, p\u00ebrpara se t\u00eb […]<\/p>\n","protected":false},"author":2,"featured_media":7557,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[127,63],"tags":[65,59,95,64,60,74,68,29],"class_list":["post-7556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arti-konceptual-ne-shtepi","category-shqiperia","tag-albania","tag-arkitekte","tag-investoneshqiperi","tag-shqiperi","tag-toprealtyalbaniamagazine","tag-toprealtymagazine-2","tag-vizitoshqiperine","tag-technology"],"yoast_head":"\nMuri i Bardh\u00eb si Gjuh\u00eb Arkitekturore<\/h2>\n\n\n\n
Kur Sht\u00ebpia Nd\u00ebrtohet Sepse Vepra Nuk Pote<\/h2>\n\n\n\n
Parimet Praktike t\u00eb Dizajnit me Vep\u00ebr-Ank\u00ebr<\/h2>\n\n\n\n
“Intervista Vizuale” me Vepren<\/h2>\n\n\n\n
Nga Muri n\u00eb Arkitektur\u00eb: Kur Vepra Formon Planin<\/h2>\n\n\n\n
Vlera P\u00ebrtej Metra Katror<\/h2>\n\n\n\n
Rregulli i Murit t\u00eb Bardh\u00eb<\/h2>\n\n\n\n